reductive value – ART 104: Drawing I, Fall 2019

Reductive Value Drawing

This drawing is a still life reductive value drawing – I was to completely cover the page in vine charcoal and erase from it to form the picture.

I absolutely hated this one because I was highly frustrated getting charcoal everywhere and not being able to have it come out the way I would have like. The most challenged part was going back in and trying to darken and lighten certain areas to make it look like the still life presented in front of me.

Shadow

It is about Reductive Value Drawing. make black paper by charcoal, and erase charcoal by eraser.

My First Reductive Value Drawing

Everything in this image was white, but the image itself is a reductive value drawing completed with vine charcoal. The objects in the still life sat on boxes covered in white sheets background.

Beginning from the left, there is a styrofoam sphere that peeks out from the left side of the page slightly behind it and to the right stands a bare, white paper towel roll. A can to the right of the paper towel roll casts a dark shadow on the styrofoam ball. All three objects sit on a ledge draped in a sheet, which wrinkles up slightly as gravity pulls it toward the bottom of the page. The ledge covered in the drape takes up the bottom left quarter of the page.

Slightly behind and to the right of the can is a skull, facing the left side. The end of a bone can be seen peeking out next the skull, slightly in front of a black wine bottle. The bone, shifted a bit off of the second ledge casts a small, dark shadow on the drape below. Underneath these objects and next to the first drape there is a slab of rock, like worn marble with a design engraved in it, although the engraving cannot be seen, only the faint shadows cast from it onto the marble. The corner of a box pokes out from behind the slab, the side nearest the viewer covered in a dark shadow.

At the very bottom of the page, at the edge of the first ledge, lies a small hermit crab shell.

To draw this still life, I first covered my page in vine charcoal, then began drawing in any shapes I saw in a darker tone than the background.

Afterward, I used a kneaded eraser to lighten parts of the drawing with a lighter value, add highlights, and blend. I used the vine charcoal to darken spots with darker values create shadows. At first, the local values of all the objects were blending together, but after emphasizing a few parts of the drawing, most of the objects became distinct. Occasionally, I saw the need to use compressed charcoal to bring out darker parts of the still life where the vine charcoal wasn’t doing the job.

Reductive Value Still-Life

A black and white charcoal reductive value drawing of a still life containing a funnel, milk carton, book, and ball.

The drawing shows a funnel, milk carton, book, and small ball resting in front of a draped curtain. To create this drawing, I covered the paper with vine charcoal. Then, I selectively erased to create the forms of the still life and used compressed charcoal and a white conte crayon to emphasize the lights and darks of the still-life. While this project mostly covers value, aspects basic forms and shapes are also present, as well as negative shapes.