The Process: 8

Coming to you today from the journey of Team Tongue is a brief recap of our most recent escapades. As chief photographer and video editor, I was tasked with the exciting goal of filming the process of cooking our Uyghur meal. Teammates Billie and Zach built our tandoor oven over the course of several hours this past Thursday (Props to them for some crazy hard work). Billie was also able to capture much of the process which I am currently editing together for a portion of our final project.
With the Tandoor complete, our essential structure for cooking the meal out of the way, we began preparing our dishes early afternoon on Saturday. For nearly seven hours our group toiled over our eternally smoking (and as Zach found out, highly-flammable) homemade, oven. Our aim was to cook the entire meal using traditional means and in my humble opinion we were most successful.
Interestingly enough, our cooking session coincided with a reading assignment concerning the Uyghur people and the Xinjiang region. As it should happen, our three dishes matched up with three of the “local specialties,” mentioned in the book, Xinjiang, the Land and the People. If anything, it was good to know we were on the right track.
Seven hours later we sat down to nang bread, chicken kebabs, pilaf and tea. I was hardly able to take a few pictures of our display before Zach tucked into the heavenly spread. This commenced the consumption of absorbent amounts of food. Worth the wait, the singed arm-hair, and a shirt that will eternally smell like the inside of an earthen oven. 100 percent.
Below you will find some photos-a teaser-preceding the unveiling of the main event.
kebabzach/tandoor

Soon!

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The semester is beginning to wind down (how do we only have one month left?), the deadline for the website is approaching, and shockingly, I feel ready for it.
I have worried this whole semester over the amount of information I have, and whether my team is creating a cohesive project. But now, with our points decided upon and the beginnings of an introduction written, I feel a lot more confident.
The information I had didn’t feel like enough until I began to actually pin down physical sites and started to notice a pattern in what I was researching. Making concrete deadlines within the group for choosing sites and beginning to input information onto the storymap also really helped: before, it had been easy to sort of push work back and fall behind. Basically, moving from the research stage to the actual creation of the project led to a lot more confidence!
The conversation the Sky group had with Eric a few class periods ago also made things clearer. I had been worrying about cohesiveness as a whole, however, he suggested on “exploring phenomenons” instead. This put the project into a new perspective for me. Before, I thought that we would have to all be making the same point, just through the different lenses of beauty standards, queer identities, and fashion. But, now I realized that we could each explore slightly different ideas under the umbrella of “Body aesthetics within Uighur communities.”
My subsection of this topic is fashion, and I’m focusing on how fashion is used among Uighur women as a form of self-expression. One way of doing this is through the braiding of the hair I mentioned in my last blog post. But a more serious way this is being done is through silent protest against laws limiting outward expressions of Islam. There have been many bans against veils and other clothing items the Uighur wear to show their Muslim faith. Despite this, many Uighur women continue to wear these items not only to represent their religion, but to quietly rebel against these limitations. There have also been pressure from the government pushing for different ways to express faith without the use of veils.
It’s incredibly interesting to see the many ways fashion is being used. These strong strategies of self expression and protest provide a powerful contrast to the idea that fashion is a vapid and shallow interest.

Kashi-ing Up to Kashgar: Tandyr to My Heart

Buenas Noches readers,
I hope your day’s been swell!
The Tongue Team is getting down to the nitty gritty topic we’ve all been waiting for……….FOOD!
Since the focus of our whole digitized project is cuisine in Kashgar, we thought it appropriate to present and serve a meal during our presentation, and to focus our Prezi points on a photograph of a meal we create. We’ve long been discussing the logistics of building a tandoor oven, and through fire permits, changing locations, and fluctuating prices, Billie and Zach finally got it built today! The original plan was to donate it to the Guilford Farm, but the oven would need to be under a structure to prevent rain decay, which would violate fire codes. Therefore Zach now has it stationed in his backyard.

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Inside View of Tandyr, Billie Dunn-McMartin, 2016.

(I’ve provided a very low-quality view of the inside. Video credits to Billie)
Saturday Zach and I, perhaps Chris and Billie, are venturing to Costco to purchase the ingredients for the meal. Here’s the very rough shopping list we formulated (that is by no means complete):
-Kabobs

  • Lamb or chicken
  • Cumin
  • Chili Flakes
  • Fennel Seeds

-Naan

  • Dry active yeast
  • Salt
  • Sugar
  • Flour
  • Sesame Seeds
  • Poppy Seeds

-Pilaf

  • Chicken
  • Jasmine Rice
  • Carrots
  • Onions
  • Garlic

-Tea

  • Black tea

I’ll be providing the wok for the pilaf, Zach the tandoor oven and the hand tools, and we’re all hunting for a porcelain teapot and dishware (or at least good replicas). Billie has searched Goodwill, but we’re continuing to search HomeGoods and thrift stores.
To append to Billie and Chris’s Honor’s project over the J-term trip, we’re filming every aspect of the process: building the tandoor, purchasing the ingredients, practicing the food preparation, cooking the meal, and serving it. We thought cuisine too three-dimensional a topic to simply be read about, and it certainly lends itself to being interactive. We’re going to incorporate it as a series of videos on our map and site page.
 Fortunately, tonight’s reading coincided with a main focal point in our project: the Uyghurs!
One of the first sources stated that “Uighur” is not a romanization of “Uyghur” (or vice versa) but a completely different ethnic group! I was immediately concerned, because I wasn’t sure that all of us delineated between the two in our findings due to the fact that we thought them identical. However I could find no articles supporting this statement, though I did find many stating that the people themselves prefer the “Uyghur” spelling because it is more in accordance with phonetics of their native language (“Uighur” violates vowel harmony). Other sources went in depth to the rise of Islam in Xinjiang, evidencing why Kashgar has such a religious focus. The Karakhanids established their capital in Kashgar, and sometime later Yusuf Khass Hajib wrote “Wisdom of Royal Glory”, which referenced the Quran and hadiths, providing stark evidence of Islam. Kashgar became a Muslim religious center but was eventually taken over by the Manchus, though Yakub Beg later established an independent khanate to return Muslims to power.
I realize that was a fairly brief update on the multi-faceted beast of this course, but I hope it suffices! Many more insights to come.
Have a wonderful night!
Regards,
-Delaney

Kashi-ing Up to Kashgar: Research and Respite

Ciao readers,
I hope you’re well!
There’s been much that’s occurred since I last blogged.
Last Tuesday, most of the course trekked to Chapel Hill to see esteemed Sufi musician Youssou N’Dour perform an amalgamation of religious and “pop” music. Although Eric and a fellow professor I was riding with seemed to be ecstatic over him, I honestly didn’t know what to expect. Would the music have more auditory similarity with African music than Arab? Would the music be restrained, or lively? Would it have an overt religious focus? I could’ve easily browsed his repertoire on Youtube, but I wanted to be surprised, letting the live concert be my first experience. As soon as the first musician approached centerstage, the auditorium was awash with color from the embroidered robes and caps, and booming with a cacophony of instruments. I recognized some of the drums spoken of during the little pre-concert presentation we attended, and mulled over the fact that to play ⅔ drums displayed one must be born into a genealogy of drummers. This theme of genealogy seemed an integral theme in the Sufi tradition, because apparently most of the songs Youssou sings are recitations of family histories. Sometimes people are even hired to memorize family trees and sing them at events! Another tradition, or perhaps just a one-time event, I found curious was the collection of money by the performers. One older gentleman with the surname Mbaye (who was N’Dour’s musical inspiration as a child) incited viewers to swarm the stage during his performance, offering bills which he swiftly pocketed. Later a younger performer made rounds with a basket. Overall, I found the concert incredibly engaging. Instead of a somber, dignified affair, it was lively and struck something in me solely with the sounds, as I couldn’t understand a single word.
To switch gears to the Tongue Team’s project, we’re currently in the process of compiling individual research. My focus on culture and customs has narrowed to hover around the practices surrounding lokantas and tea. Lokantas are Turkic cafes, mostly frequented by those of the Uyghur ethnicity, that serve snacks and conversation between community members. They are often divided into sections for men, women, and children. To simplify, they could be compared to Western cafes. I’ve found many recent sources documenting these establishments, however I ran into a complication with my historical research: “lokanta” was (and is in some places) also a general Turkish word for restaurants. This means that most of my search results in academic databases are in Turkish (without translation) and the results are broad, not honing in on the specific type of lokanta I’m seeking. I peddled around for awhile trying to avoid taking on the bear of translation, but most of my other lokanta sources were just blogs/first-hand accounts and not proven as scholarly, so I thought I still needed something to supplement them. This Monday I met with Rachel, the research librarian at Hege, to discuss my hindrances with this topic. She provided me with a myriad of options I hadn’t previously considered:
-Finding a Turkish speaker at Guilford through the Study Abroad office or the Learning Commons
-Contacting the Islamic or Turkic  Studies department at UNCG
-Getting sources from NPR cultural pieces
-Using other sources like anthropology databases
She assured me that I could use blog or more contemporary sources as long as I felt them legitimate.
We also got into a discussion about tea, from whence she recommended “A History of the World in 6 Glasses” by Tom Standage, which contains a whole portion on tea. I’ve requested for the library to order it and am excited to see what it holds!
Below I’ve attached an exterior example of a lokanta:
download
Thank you for reading! Bis dann!!!!
Regards,
-Delaney

A Hearty Dose of Research

Hello there!

Youssou N'Dour in concert
Youssou N’Dour in concert

This week has been a very interesting one in regards to this course, and I am excited to fill you in!
Last Tuesday, we took a class field trip to Chapel Hill, where we got to see a performance by Youssou N’Dour, one of the most famous pop musicians in Senegal. The entire show was brilliant and full of incredible energy; even when I couldn’t fully grasp what was going on (there was a point where people handed the performers handfuls of dollar bills?), I could sense how much the event meant to the West African members of the audience. My favorite part of the show was that a group of audience members went up to the front and danced. Something that I found really cool was the way that Youssou N’Dour incorporated a narrative-style storyline into his performance and, of course, this sparked some ideas regarding our silk road project.
I’ve become a lot more interested in the role that the Cultural Revolution played in the current shape of modern Shamanic practices. Of course, the region that I am the most focused on (as far as origins go) is  Mongolia, but as we have learned most recently in class,  the regions of Mongolia fluctuated quite a bit. The regions that were heavily impacted by the Cultural Revolution were also impacted by the reign of the Mongols.
An article that has been especially helpful to me recently is called New Material on East Mongolian Shamanism, and it was written in 1990. Of course, newness is relative here because it is now 2016, but a lot of the content has been instrumental in my research and I am learning that when you delve into the depths of history like this, sometimes the best source really is a rather old one. This field of study (although I definitely agree with our professor Eric’s ideas about the limitations of typifying disciplines) is different from psychology in that it is not necessarily detrimental to cite a source that is old. Additionally, as I become more specific with my research the range of sources diminishes–thank god! This particular article focuses on the Shamanism of the Mongol population north and east of the Hsiang mountains up to the Yablonoj mountains, and it includes names for types of Shamans and semi-Shamans, which I thought was really cool. For instance the word for male shamans is “boge” and the word for female Shamans “iduyan.”
Anyway, I look forward to sharing how our week shapes up–on Thursday we are meeting with Tierney to put all of our research up on the StoryMap!
xoxo

Slipping Bye

Somehow it slipped by me to write my post last week–SO get ready for a double-whammy!  I’m sure I’ll have lots to talk about, as we are getting ready for data input!  Hopefully by Wednesday we will have all information/media gathered, written up, and ready to upload.  Tierney will then help us actually upload it all.
Last week the Silk Worms met with Tierney and played around with Google My Maps.  It was SO cool!  Very straightforward and easy to use, and very perfect for this project.  In fact, I kind of want to just make a Google My Maps for every trip I’ve ever taken.  It’s that useful of a tool.
My desire to use this database operated by Google makes me think on how we can’t use Google in China  What an enormous barrier!  I don’t usually have to think about censoring or about what information is forbidden.  It all started to seem really real during the break-out session for the abroad trip when we were discussing what reading we had to do while in the U.S. and how we should clean off the documents that we have been reading in class just in case they’re a red flag.  I have so many documents on my computer that I love and cherish and look back on continuously.  It’s like my own little library on here.  I guess I’ll just have to back it up on a hard drive…
Last week was all about maps.  Maps, maps, maps.  I actually really enjoyed it.  When I was younger, I didn’t even no where my own state was on a map, let alone Kuqa, China.  I really had it in my head that geography was something that I could not do–that my brain was not fit for it.  What I’m starting to see with these tests is that I am perfectly fit (then again, I haven’t actually gotten the test back…).  The world actually makes sense!  Borderlines are not arbitrary, they are built to fit the land.  That is why, I am particularly pleased that this map actually involved us drawing the lines, not just marking a dot.  That said, it was shockingly hard to do it.  It was like learning how to draw cartoons–you learn how to draw 1000 perfect circles, and then you’ll know how to draw any cartoon in the world.  But this was more like scribbling.  And I still only know how to draw Central Asia.
Here’s a stupid youtube video of my surprisingly favorite cartoon character to draw–Tazmanian Devil.  You better laugh.

 
 

Porcelain & Bread

The timeline for this project is slowly narrowing – 2 weeks now – and the time has come for me to get all of my thoughts and ideas that are floating up in the air, and bring down the few that I can actually finish in two weeks. The two topics that proved the most fruitful in research and the most interesting to me were porcelain and bread (specifically naan/nan).
Porcelain is similar to silk, although not quite so illustrious and famous, in the way it originated in China and spread west on the Silk Road. Porcelain was made out of a very specific type of clay, kaolin clay, that could be found in parts of China. China began firing this clay in cities where kaolin clay was abundant, such as Jingdezhen, and keeping the details of this production secret. The beautiful white, hard, semi-translucent ceramics became coveted in the regions of Persia, but they held neither the means of production nor the knowledge of how to obtain those means. In places such as Iraq, potters began to emulate Chinese porcelain with materials they had access to, but could not recreate the porcelain imported from China along the Silk Road.
In Kashgar, porcelain cups are used for tea in tea houses or within personal homes at meals. These cups may be the simple, white porcelain or the blue and white porcelain that is often thought of as “china” or Chinese porcelain. On the Tongue team’s table of a Kashgar meal, black tea will be served in porcelain cups and we will tear off pieces of our naan and dip them into our tea.
Nan is huge in Kashgar, as I have previously discussed in blog posts. Many associate nan with India, which is not wrong, but it is important to highlight the similarities in bread and the way it is baked and prepared throughout Asia. Nan is traditionally Persian and its connections with China through the Silk Road resulted in the use of the tandoor oven and the baking of this thin, round bread. As Kashgar was a very central location along the Silk Road, and one that  very much connected the East of China and the West of Persia, it is not surprising that nan is a staple in everyday life.
Besides the brief history of nan and tandoor ovens (only as the oven relates to nan, though, as Zack will be going in-depth about tandoor ovens), I will mainly be talking about the preparation of nan and the ways in which it is both cooked and served. The narrative of nan within the Tongue Team’s meal is crucial, because it acts as both a stand alone component of the meal and a utensil in which to eat other parts of the meal.
In the next few days I will be writing out the narratives and the plans for my map/prezi points for these two topics as well as uploading all of my artifacts into SharedShelf.

Imitation Blue-and-white Bowl, 17th century Islamic, Safavid period (1501–1722) Stonepaste; painted in blue under transparent glaze; 7 1/2 x 14 1/4 in. (19.1 x 36.2 cm) The Metropolitan Museum of Art, New York, Bequest of Nellie Kuh, by exchange, Louis V. Bell Fund, and funds from various donors, 1967 (67.108) http://www.metmuseum.org/Collections/search-the-collections/451907
Imitation Blue-and-white Bowl, 17th century
Islamic, Safavid period (1501–1722)
Stonepaste; painted in blue under transparent glaze; 7 1/2 x 14 1/4 in. (19.1 x 36.2 cm)
The Metropolitan Museum of Art, New York, Bequest of Nellie Kuh, by exchange, Louis V. Bell Fund, and funds from various donors, 1967 (67.108)
http://www.metmuseum.org/Collections/search-the-collections/451907

The Process: 7

Permits have been received. Our team is officially building a Tandyr Oven on Guilford’s campus by the farm. We’re excited for the potential of this project not only in the bounds of our class but for its future application as well. We hope, of the few things that Guilford can do splendidly, that one of them is making naan bread in our oven. Thoughts president Fernandes?
At this point in time, we are looking to create our whole meal using the oven. Currently on the table are the following dishes: Naan bread, Polu (Lamb Pilaf), Lamb Kebabs and Tea. We’ll be cooking this meal next weekend and using it as the photograph for our canvas online. The photo will include all elements of the meal and focus in on each to highlight the history or specifics about the particular dish.
Speaking of history, Eric recently unleashed an infamous map test upon us in which we were tasked with memorizing the political, geographic and historical landscapes of central Asia. Despite the strenuous nature of the assignment and the entire notebook of redrawn maps I now own, the test helped me better place our project work as a whole. Knowing the geography of a location, and establishing a sense of place is (not so surprisingly) valuable when creating story maps of food and spices. Connecting our ideas to a place and knowing the geography, cities and other landmasses around it adds a new dimension to research that is often ignored when looking for specifics.
Specifics are what we’ve been looking at so far. And I’m particularly excited about figuring out how to display our meal, the photographic elements and the video that we’ll compile of our experience. This is pretty much the center piece in our prezi presentation, so no pressure. I’m quite thrilled at how our project is coming along and can’t wait to present consume it. I am already feeling slightly disappointed that the final project is due in less than three weeks. While we’ve done immense amounts of research and narrowing down of topics and group meetings, I really think this could have been a year-long course with the first semester focused on research, the silk road and its geography while the second half would be solely a project based class. It’s just really hard to do justice to the silk road…

Chugging Along

At this point, I am so proud of how my group is working. This week, members of my group actually stopped to ask our professor whether they could continue to add to the project after the due date just for fun because they are so interested in the topic. They are every TA’s dream. I feel really good about where they are in their individual research, their planning of the digital synthesizing of their ideas, and the personal dynamics between team members. I think that they have done a great job creating deadlines and sticking to them. I’ve also been very impressed at how well they’ve coordinated this one single topic to showcase each individual person’s strengths. I am honestly shocked at smoothly this process is going. If I worry about anything with my team, it is that I worry they are biting off more than they can chew (Tongue group…ha…ha…) with building the Tandoor oven, but they are planning to get the first round of cooking done this weekend after building it this weekend so I do think they can stay on track. I admire that they have been trying to go so above and beyond and have really embraced how much they care about this project. I have tried to push them to remember to start drawing the lines on what is going to be too much to cover and just focus on completing the tasks that they have already started.
 
The TAs started working with Tierney this week about creating our project in the Google MyMap section. I am a little nervous to see how my group’s project comes together to create my part, since my group has chosen to mostly abandon the StoryMap program and are focusing considerably more on tracing things through time, rather than a linear geographical narrative. I think it will definitely be doable to translate it into points that will work on our Google MyMap, but I think it will take a bit more digging and decoding for me to find the points—making sure that I pick out the locations within their narrative. I also think that I may have a lot more use of individual points with icons and without connections than other groups.
 
Below, I am attaching a view that explores the idea of digital humanities. We will be presenting the findings of our class at a faculty development program in the near future, so I have been thinking more and more about the concept of digital humanities and how that can be integrated into the future of education.
 

Traveling across the books of the silk road

Our group had a meeting at the Hub this evening, and it was very productive. The members of Team Earth were on track, creating a new deadline for all of our projects before the actual one. In the meeting we jotted down new ideas such as what to add into the earth group page. One of which included music from the silk road such as Mongolian Throat Music, playing automatically as the reader is scrolling through our page. This was very stressful and actually getting the codes to work for the automatic audio loop took around 30+ minutes. However, once executed properly, it was beautiful. We planned on creating a file that was invisible, hidden within the code, and would play as soon as the reader clicked on the earth page, playing, for example, Mongolian throat music and going on an audio loop (which you are listening to right now, and if you aren’t, turn that volume up!). Hopefully the reader does not become annoyed, but we doubt they would be on the page for numerous hours as well as not have a volume control button on their laptop/computer. However, there will be talks concerning how we will dead with audio playback, seeing if it really is necessary to prevent readers from turning it off on the youtube clip/soundcloud clip itself.

Further into the meeting one of the members, Austin, is bringing in a book concerning the travels of marco polo, called “marco polo: from venice to xanadu”. The great part about this novel is that it also includes a sort of commentary from a well-known author, Laurence Belgreen, whom in which will be explaining the travels more thoroughly. This would very much help Austin in his part on Marco Polo’s travels.
Also, Sam added valuable input such as a possible voice-over of the readings that would be on the earth page. And pertaining to what I mentioned earlier, concerning the automatic audio-loop, an automatic play of Sam’s voice narrating the story is also highly possible. On another note, his work is in track and has started to create a story map that will be based on his email so that they can contribute their works in that single file, due to sharing not being possible for story map.
Lastly, but important as well, Jake. He too is on track with the project. With his side project concerning the secret history of Mongolians, Jake has contributed a lot of great thoughts into the hub meeting and were all excited to see what the page will turn out to be in the end of our custom deadline (which is around november 9th).